HISTORY WOOD SELECTION My formal training began when I apprenticed to a French violin maker in the 1970’s and was followed

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Vol 444|30 November[removed]BRIEF COMMUNICATIONS Wood used by Stradivari and Guarneri The material used by the old masters to make exquisite violins may have been chemically manipulated. Whether or not the great Italian vi

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[removed]Port Angeles Symphony Season-at-a-Glance Guest Soloist Sponsorship opportunities are available in the banquet room tonight! POPS and Picnic

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ABAC School of Music Residential Strings Camp 2014 THE TRUE HARMONY OF VIOLIN VIOLA CELLO AND FRIENDSHIP[removed] – 2/5/14

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Mozart’s Slurs and Bowing Guidance: Violin Concertos in 1775 Beth Pei-Fen Chen* As a teenager, in the first half of the 1770s, Mozart was already very familiar with the language and notation of violin music. In additio

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122 N. Macdonald St. Mesa, AZ[removed]2143 Announces the following vacancies for the[removed]season Violin 2 – 2 positions, $31.50 per service Cello – 1 position, $31.50 per service Auditions will be held Sat

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FROM SEA TO SHINING SEA A Musical Journey from the North Sea to the Mediterranean Baroque Workshop Faculty Concert Linda Quan – Baroque Violin Martha McGaughey – Viola da gamba Arthur Haas – Harpsichord

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Music & Wine at St Luke’s The Ireland Trio Music from our back yards Ellie Blackshaw violin Peter Copley cello Adam Swayne piano

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Oxford and Cambridge Musical Club Saturday 23rd June 2001 at 5.30 pm in the Housman Room, University College, Gower Street Orchestral Concert Concert No 1848

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Page 2 of this document is a score page for an ending to the 1st movement of the Bruch Violin Concerto No. 1 in g minor This will be needed if someone (in my case, a student competition winner)

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